How are you going to Behave? A kitchen cat speaks
wood, lamps, animatronic cat, text, door blinds, MP3 player
dimensions variable
German Pavilion, Venice Biennale 2009
|
|
|
|
|
|
|
|
Mirrored Image: A Volvo Bar, 2008
Lapdog of the Bourgeoisie, 2009
Play readings, vinyl text, sawdust
dimensions variable
Liam Gillick, Two Short Plays, Eastside Projects, Birmingham, 2009
| |
|
|
|
Prototype MAK production pavilion
(Housed in the countryside), 2009
dyed MDF, wood
dimensions variable
Liam Gillick, Executive Two Litre GXL, MAK Vienna, 2009
Contingent wall plate
(Housed in the city), 2009
painted aluminium
dimensions variable
Liam Gillick,, Executive Two Litre GXL, MAK Vienna, 2009
Layered impasse screen, 1998
anodised aluminium, Plexiglas, wood
300cm x 240cm x 30cm
Liam Gillick, Executive Two Litre GXL, MAK Vienna, 2009
| |
|
|
|
Status following closure, 2008
powder-coated aluminium, Plexiglas
300cm x 200cm x 30cm
Liam Gillick, The state itself becomes a super whatnot, Casey Kaplan, New York, 2008
| Between Kalmaer and Udevalla, 2008
powder-coated aluminium
40 elements each 200cm x 15cm x 3cm
Liam Gillick, The state itself becomes a super whatnot, Casey Kaplan,
New York, 2008 | The state itself becomes a super whatnot, Casey Kaplan, New York, 2008
|
|
Lapsed redution, 2008
powder-coated aluminium, Plexiglas
300cm x 200cm x 30cm
Liam Gillick, The state itself becomes a super whatnot, Casey Kaplan, New York, 2008
| Projected retraction, 2008
powder-coated aluminium
20 elements each 200cm x 15cm x 3cm
Liam Gillick, The state itself becomes a super whatnot, Casey Kaplan, New York, 2008 |
Prototype double mounted wall rail, 1988
plastic, steel
60cm x 6cm x 6cm
|
Rescinded production, 2008
powder-coated aluminium, Plexiglas
240cm x 240cm x 30cm
Liam Gillick, The state itself becomes a super whatnot, Casey Kaplan, New York, 2008 | Restricted practice, 2007
powder-coated aluminium, Plexiglas
120cm x 120cm x 4cm
Seeded production, 2007
powder-coated aluminium, Plexiglas
120cm x 120cm x 4cm
|
Status following closure, 2008
powder-coated aluminium, Plexiglas
300cm x 200cm x 30cm
Liam Gillick, The state itself becomes a super whatnot, Casey Kaplan, New York, 2008
|
Rendered rejection, 2008
powder-coated aluminium
28 elements each 200cm x 15cm x 3cm
Liam Gillick, Usines fractionnées dans la neige, Air de Paris, Paris, 2008
|
Suspended discussion, 2008
powder-coated aluminium, Plexiglas
300cm x 200cm x 30cm
Liam Gillick, Usines fractionnées dans la neige, Air de Paris, Paris, 2008
|
Resisted projection, 2008
powder-coated aluminium, Plexiglas
100cm x 100cm x 20cm
Liam Gillick, Usines fractionnées dans la neige, Air de Paris, Paris, 2008 | Collective projection, 2008
powder-coated aluminium, Plexiglas
100cm x 100cm x 20cm
Liam Gillick, Usines fractionnées dans la neige, Air de Paris, Paris, 2008 | Structured projection, 2008
powder-coated aluminium, Plexiglas
100cm x 100cm x 20cm
Liam Gillick, Usines fractionnées dans la neige, Air de Paris, Paris, 2008
| Usines fractionnées dans la neige, Air de Paris, Paris, 2008
installation view
|
|
|
|
Signage for a 35 floor social centre, 2006
stainless steel
300cm x 300cm
Irish Museum of Modern Art, Dublin
|
Gran centro de conferencias, 2008
vinyl text
dimensions variable
| Revision in the snow, 2007
printed texts
variable
EU Kunsthalle, 2007
|
|
|
Weekend in so show, 2007
Liam Gillick, Weekend in so show, The Lab, Belmar, 2007
|
|
Reoccupation, recuperation and endless renovation, 2007
inkjet print
dimensions variable
|
|
|
A broadcast from 1887 on the subject of our time, 1996
short wave radio transmitter, receiver, Northern Atlantic Island, post-utopian community, text, instructions
dimensions variable
Werkleitz Biennale, 2000
|
Övningskörning (Driving practice), 2004
painted aluminium
30 elements each 240cm x 30cm x 5mm
Milwaukee Art Museum
|
 Barred, 2001
inkjet prints
29.7cm x 42cm
4Free, Büro Friedrich, Berlin, 2001 |
|
|
Coats of asbestos spangled with mica, 2002
Plexiglas, plywood, digital c-prints
dimensions variable
Turner Prize, Tate, London, 2002
|
|
25. Mednarodni graficini bienale, 2003
screen print
dimensions variable
street view, Ljubiljana, Slovenia
|
www.usdoj.gov/eoir/OcahoMain/
publisheddescisions/Hardbound/
Volume1/25.pdf, 2003
printed papers
29.7cm x 21cm
The air is blue, Casa Luis Barragan, Mexico City, 2003
|
Exterior consultation diagram, 2003
paint
dimensions variable
Tirana Biennale, 2003
|
|
Dispersed discussion structure, 2006
whiskey, silver glitter
dimensions variable
Grey Flags, Sculpture Center,
New York, 2006
|
56th Floor structure, 2004
powder-coated aluminium
240cm x 240cm x 240cm
Singular Forms,
Guggenheim Museum, New York, 2004
|
Inverted research tool, 2006 (with Edgar Schmitz)
printed banner, videos
dimensions variable
Academy, Van Abbemuseum, Eindhoven, 2006
|
|
In order to be able to draw a limit to thought, 2001
10 questions about theoretical physics in different forms including wall texts, cake decorations, taxi business cards, beer mats. Conference and web-site
dimensions variable
International language, Belfast, Ireland
|
everythingispossibleexceptthatwhich
isdeemedimpossiblebythenatureofthings, 2001
vinyl text
dimensions variable
Los Vinilos, El Basilico,
Buenos Aires, 2007
|
Lapdog of the Bourgeoisie, 2009
printed papers
dimensions variable
Lapdogs of the Bourgeoisie,
Arnolfini, Bristol, 2009
|
Museum Board (Luzern) #1, 1994
Gold hessian, chipboard, printed papers
300cm x 200cm x 7cm
Wittgenstein: Family Likenesses, Insitute of Visual Culture, Cambridge
|
Revised Sochaux structure, 2008
painted ultralite MDF
each unit 240cm x 240cm x 50cm
Ours: Democracy in the age of branding, New School, New York, 2008
|
|
|
Logo for Frankfurt Kunstverein, 1999
various media
|
Applied resignation platform, 1999
Plexiglas panels, existing ceiling
dimensions variable
Liam Gillick, David, Frankfurter Kunstverein, 1999
|
David (prototype sound system), 1999
brushed and etched aluminium
200cm x 40cm x 40cm
Liam Gillick, David, Frankfurter Kunstverein, 1999
|
Prototype design for a conference room
(with joke by Matthew Modine arranged by Markus Weisbeck), 1999
chipboard, hessian, vinyl text
dimensions variable
Liam Gillick, David, Frankfurter Kunstverein, 1999
|
David (soundtracks), 1999
Hi-fi system, MiniDisc, Plexiglas
Liam Gillick, David, Frankfurter Kunstverein, 1999
|
David (soundtracks), 1999
Hi-fi system, MiniDisc, Plexiglas
Liam Gillick, David, Frankfurter Kunstverein, 1999
|
Annlee you proposes, 2001
painted aluminium, lights, computer animation
dimensions variable
Tate Modern, London
|
|
|
Signage for a future social centre, 2005
vinyl graphic
dimensions variable
Liam Gillick, Factories in the Snow,
Galerie Meyer Kainer, Vienna, 2005
Revision corral, 2005
powder-coated aluminium
200cm x 200cm x 70cm
Liam Gillick, Factories in the Snow,
Galerie Meyer Kainer, Vienna, 2005
|
The content constructed within the factory once it has stopped producing cars, 2005
powder-coated aluminium
200cm x 30cm x 20cm
Liam Gillick, Factories in the Snow,
Galerie Meyer Kainer, Vienna, 2005
|
The intent constructed in the factory once it has stopped producing cars, 2005
powder-coated aluminium
200cm x 70cm x 20cm
Liam Gillick, Factories in the Snow,
Galerie Meyer Kainer, Vienna, 2005
|
< Back to Work |
