How are you going to Behave? A kitchen cat speaks wood, lamps, animatronic cat, text, door blinds, MP3 player dimensions variable German Pavilion, Venice Biennale 2009
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Mirrored Image: A Volvo Bar, 2008 Lapdog of the Bourgeoisie, 2009 Play readings, vinyl text, sawdust dimensions variable Liam Gillick, Two Short Plays, Eastside Projects, Birmingham, 2009
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Prototype MAK production pavilion (Housed in the countryside), 2009 dyed MDF, wood dimensions variable Liam Gillick, Executive Two Litre GXL, MAK Vienna, 2009
Contingent wall plate (Housed in the city), 2009 painted aluminium dimensions variable Liam Gillick,, Executive Two Litre GXL, MAK Vienna, 2009
Layered impasse screen, 1998 anodised aluminium, Plexiglas, wood 300cm x 240cm x 30cm Liam Gillick, Executive Two Litre GXL, MAK Vienna, 2009
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Status following closure, 2008 powder-coated aluminium, Plexiglas 300cm x 200cm x 30cm Liam Gillick, The state itself becomes a super whatnot, Casey Kaplan, New York, 2008
| Between Kalmaer and Udevalla, 2008 powder-coated aluminium 40 elements each 200cm x 15cm x 3cm Liam Gillick, The state itself becomes a super whatnot, Casey Kaplan, New York, 2008 | The state itself becomes a super whatnot, Casey Kaplan, New York, 2008
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Lapsed redution, 2008 powder-coated aluminium, Plexiglas 300cm x 200cm x 30cm Liam Gillick, The state itself becomes a super whatnot, Casey Kaplan, New York, 2008
| Projected retraction, 2008 powder-coated aluminium 20 elements each 200cm x 15cm x 3cm
Liam Gillick, The state itself becomes a super whatnot, Casey Kaplan, New York, 2008 |
Prototype double mounted wall rail, 1988 plastic, steel 60cm x 6cm x 6cm
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Rescinded production, 2008 powder-coated aluminium, Plexiglas 240cm x 240cm x 30cm Liam Gillick, The state itself becomes a super whatnot, Casey Kaplan, New York, 2008 | Restricted practice, 2007 powder-coated aluminium, Plexiglas 120cm x 120cm x 4cm
Seeded production, 2007 powder-coated aluminium, Plexiglas 120cm x 120cm x 4cm
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Status following closure, 2008 powder-coated aluminium, Plexiglas 300cm x 200cm x 30cm Liam Gillick, The state itself becomes a super whatnot, Casey Kaplan, New York, 2008
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Rendered rejection, 2008 powder-coated aluminium 28 elements each 200cm x 15cm x 3cm Liam Gillick, Usines fractionnées dans la neige, Air de Paris, Paris, 2008
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Suspended discussion, 2008 powder-coated aluminium, Plexiglas 300cm x 200cm x 30cm Liam Gillick, Usines fractionnées dans la neige, Air de Paris, Paris, 2008
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Resisted projection, 2008 powder-coated aluminium, Plexiglas 100cm x 100cm x 20cm Liam Gillick, Usines fractionnées dans la neige, Air de Paris, Paris, 2008 | Collective projection, 2008 powder-coated aluminium, Plexiglas 100cm x 100cm x 20cm Liam Gillick, Usines fractionnées dans la neige, Air de Paris, Paris, 2008 | Structured projection, 2008 powder-coated aluminium, Plexiglas 100cm x 100cm x 20cm Liam Gillick, Usines fractionnées dans la neige, Air de Paris, Paris, 2008
| Usines fractionnées dans la neige, Air de Paris, Paris, 2008 installation view
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Signage for a 35 floor social centre, 2006 stainless steel 300cm x 300cm Irish Museum of Modern Art, Dublin
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Gran centro de conferencias, 2008 vinyl text dimensions variable
| Revision in the snow, 2007 printed texts variable EU Kunsthalle, 2007
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Weekend in so show, 2007 Liam Gillick, Weekend in so show, The Lab, Belmar, 2007
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Reoccupation, recuperation and endless renovation, 2007 inkjet print dimensions variable
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A broadcast from 1887 on the subject of our time, 1996 short wave radio transmitter, receiver, Northern Atlantic Island, post-utopian community, text, instructions dimensions variable Werkleitz Biennale, 2000
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Övningskörning (Driving practice), 2004 painted aluminium 30 elements each 240cm x 30cm x 5mm Milwaukee Art Museum
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Barred, 2001 inkjet prints 29.7cm x 42cm 4Free, Büro Friedrich, Berlin, 2001
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Coats of asbestos spangled with mica, 2002 Plexiglas, plywood, digital c-prints dimensions variable Turner Prize, Tate, London, 2002
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25. Mednarodni graficini bienale, 2003 screen print dimensions variable street view, Ljubiljana, Slovenia
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www.usdoj.gov/eoir/OcahoMain/ publisheddescisions/Hardbound/ Volume1/25.pdf, 2003 printed papers 29.7cm x 21cm The air is blue, Casa Luis Barragan, Mexico City, 2003
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Exterior consultation diagram, 2003 paint dimensions variable Tirana Biennale, 2003
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Dispersed discussion structure, 2006 whiskey, silver glitter dimensions variable Grey Flags, Sculpture Center, New York, 2006
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56th Floor structure, 2004 powder-coated aluminium 240cm x 240cm x 240cm Singular Forms, Guggenheim Museum, New York, 2004
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Inverted research tool, 2006 (with Edgar Schmitz) printed banner, videos dimensions variable Academy, Van Abbemuseum, Eindhoven, 2006
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In order to be able to draw a limit to thought, 2001 10 questions about theoretical physics in different forms including wall texts, cake decorations, taxi business cards, beer mats. Conference and web-site dimensions variable International language, Belfast, Ireland
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everythingispossibleexceptthatwhich isdeemedimpossiblebythenatureofthings, 2001 vinyl text dimensions variable Los Vinilos, El Basilico, Buenos Aires, 2007
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Lapdog of the Bourgeoisie, 2009 printed papers dimensions variable Lapdogs of the Bourgeoisie, Arnolfini, Bristol, 2009
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Museum Board (Luzern) #1, 1994 Gold hessian, chipboard, printed papers 300cm x 200cm x 7cm Wittgenstein: Family Likenesses, Insitute of Visual Culture, Cambridge
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Revised Sochaux structure, 2008 painted ultralite MDF each unit 240cm x 240cm x 50cm Ours: Democracy in the age of branding, New School, New York, 2008
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Logo for Frankfurt Kunstverein, 1999 various media
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Applied resignation platform, 1999 Plexiglas panels, existing ceiling dimensions variable Liam Gillick, David, Frankfurter Kunstverein, 1999
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David (prototype sound system), 1999 brushed and etched aluminium 200cm x 40cm x 40cm Liam Gillick, David, Frankfurter Kunstverein, 1999
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Prototype design for a conference room (with joke by Matthew Modine arranged by Markus Weisbeck), 1999 chipboard, hessian, vinyl text dimensions variable Liam Gillick, David, Frankfurter Kunstverein, 1999
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David (soundtracks), 1999 Hi-fi system, MiniDisc, Plexiglas Liam Gillick, David, Frankfurter Kunstverein, 1999
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David (soundtracks), 1999 Hi-fi system, MiniDisc, Plexiglas Liam Gillick, David, Frankfurter Kunstverein, 1999
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Annlee you proposes, 2001 painted aluminium, lights, computer animation dimensions variable Tate Modern, London
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Signage for a future social centre, 2005 vinyl graphic dimensions variable Liam Gillick, Factories in the Snow, Galerie Meyer Kainer, Vienna, 2005
Revision corral, 2005 powder-coated aluminium 200cm x 200cm x 70cm Liam Gillick, Factories in the Snow, Galerie Meyer Kainer, Vienna, 2005
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The content constructed within the factory once it has stopped producing cars, 2005 powder-coated aluminium 200cm x 30cm x 20cm Liam Gillick, Factories in the Snow, Galerie Meyer Kainer, Vienna, 2005
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The intent constructed in the factory once it has stopped producing cars, 2005 powder-coated aluminium 200cm x 70cm x 20cm Liam Gillick, Factories in the Snow, Galerie Meyer Kainer, Vienna, 2005
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